Vestnik of Northern (Arctic) Federal University.
Series "Humanitarian and Social Sciences"
ISSN 2227-6564 e-ISSN 2687-1505 DOI:10.37482/2687-1505
Legal and postal addresses of the publisher: office 1336, 17 Naberezhnaya Severnoy Dviny, Arkhangelsk, 163002, Russian Federation, Northern (Arctic) Federal University named after M.V. Lomonosov
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Section: Culturology UDC130.2(470.1/.2)(045)AuthorsKrekhaleva Elena Anatolyevna, Arkhangelsk Musical College; Postgraduate Student, Institute of Social, Humanitarian and Political Sciences, Northern (Arctic) Federal University named after M.V. Lomonosov (Arkhangelsk, Russia)AbstractThe article provides a philosophical and cultural analysis of the correlation of the Apollonian and Dionysian concepts in the key piece of music of the Northern Russian composer V. Gavrilin “Perezvony” (“Chimes”). The piece of music unfolds the entire sound semiosphere of the natural and cultural landscape of the Russian North, which reveals a pronounced opposition of the given concepts.Keywordsdual model, Apollonian and Dionysian elements, musical culture, mythopoetics, V. Gavrilin, Russian North.The full-text version of the article can be requested through the university’s library. References
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